"Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art."

- Charlie "YardBird" Parker

Archive for the ‘ Rock News ’ Category

Actor Corey Haim Dead at 38
Kate Nash Talks My Best Friend Is You
OK Go Split With EMI, Form New Label
Faith No More Announce East Coast Show
Pink Floyd Sue EMI Over Single Downloads
Lady Antebellum Retake Number One
U2’s Spider-Man Loses Evan Rachel Wood
New Videos: Big Boi, She and Him
Breaking: Midlake
New Music Report: Gorillaz
News Ticker: DMX, Lady Gaga, Stars
Watch Exclusive New Runaways Clip
Beastie Boys Delay Hot Sauce to Late 2010
Exclusive Premiere: Yeasayer’s “O.N.E.”
MGMT Unveil New Song “Flash Delirium”
Smashing Pumpkins Seek Two New Members
LCD Soundsystem Debut Greenberg Tune
Hear Dr. Dog’s New “Stranger”
Samberg, Parnell Revive “Lazy Sunday”
Win a Trip to See STP at SXSW!
Coyne Wants Timberlake in Lips Film
Lil Wayne Begins Year-Long Jail Term
T.I. Announces Return With “I’m Back”
Foo Fighters Team With Vig For Heavy Disc
Win the White Stripes’ Box Set

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Photo: AFP/Getty

We told you about the Rolling Stones’ upcoming Exile on Main Street reissue — which includes 10 never-before-heard Stones tracks — now read our Q&As with Mick Jagger, Keith Richards and producer Don Was as they explain how they polished up gems from the vaults for the May disc and reevaluate their 1972 classic:

The Secrets Behind the Rolling Stones’ “Exile on Main Street” Reissue

Fo Yo Sorrows VIDEO Big Boi Ft. Too Short and George Clinton from SNORT THIS TV on Vimeo.

A whole battalion of new music videos has made their way onto the Web and for your viewing pleasure Rolling Stone has corralled them into this post. First up is Big Boi’s latest single off his much-anticipated Sir Lucious Leftfoot: The Son of Chico Dusty, “Fo Yo Sorrows.” The OutKast rapper had previously promised vids for every track off his solo disc, so like the video above and Boi’s previous “Shine Blockas,” they’ll likely be low-key affairs. That isn’t stopping Big Boi from calling in guests George Clinton and Too $hort to appear in the clip. Any time George Clinton shows up in a music video, we get nostalgic for P.C.U., so definitely check out “Fo Yo Sorrows” above.

For “In the Sun,” She & Him’s first video off their upcoming Volume 2, Zooey Deschanel and M. Ward go the High School Musical/Glee route as Deschanel and her clique of peers and teachers go dancing around hallways and classrooms in pursuit of the object of her desire, played here by a way-too-old-to-be-in-high-school Ward. It’s sort of like Feist’s “1, 2, 3, 4″ video combined with Britney Spears’ “…Baby One More Time” clip. Adding authenticity to the sing-along is director Peyton Reed, who previously mastered the art of high school and dancing with his cheerleading flick Bring It On.

Finally, we have the official music video for the Runaways’ “Cherry Bomb” that combines the band’s classic track with a ton of new footage from the film The Runaways. In the video, we see Dakota Fanning completely morphing into her role of Cherie Currie, plus brief clips of the cinematic Runaways from their rise to their eventual crash. As Rolling Stone previously reported, both Fanning and Kristen Stewart, who plays Joan Jett, sing on the soundtrack, which is available for pre-order now.

The members of Pink Floyd have reunited, but unfortunately it’s just to sue their label EMI. At the heart of the battle is Pink Floyd’s 1999 contract that indicated the band’s songs could not be isolated and sold outside the context of their original albums. However, on iTunes, EMI is offering all the Pink Floyd songs as a la carte purchases in addition to the full album bundles, prompting this latest lawsuit, the Guardian reports. EMI argues that the band’s clause about separating the songs only applies to their physical releases, and as it predates digital music services like iTunes, the clause doesn’t apply to the band’s downloadable discography.

In the lawsuit’s first hearing, which the band themselves didn’t attend, their lawyer Robert Howe argued, “Pink Floyd [are] well-known for performing seamless pieces. Many of the songs blend into each other,” adding that the 1999 contract “expressly prohibits” taking the songs out of context, which they allege EMI’s allowance of a la carte song purchases allows. Pink Floyd holds the label’s second most profitable back catalog behind only the Beatles.

This latest suit marks the second time in as many years that Pink Floyd and EMI have butted heads in a court of law: As Rolling Stone reported last April, the band sued EMI after accusing the label of significantly miscalculating their royalties. Pink Floyd initially signed with EMI in 1967 before moving to Columbia for their U.S. distribution for 1975’s Wish You Were Here. The group’s Columbia output was later reissued under EMI’s Capitol Records arm.

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Photo: Attenborough/WireImage

Faith No More have finally revealed their first East Coast U.S. concert in over a decade: Mike Patton and his reunited crew will invade Williamsburg, Brooklyn’s Waterfront on July 5th. As Rolling Stone previously reported, after extensively touring Europe in 2009, the band recently announced their first U.S. date, a first-night performance at Coachella on April 17th, as well as a three-night stand at San Francisco’s Warfield April 12-14th.

So far, no other East Coast dates have been announced, but it’s unlikely many U.S. dates will follow the July 5th show as Faith No More will set off for Lisbon and other European cities beginning July 8th. Tickets for the Brooklyn show, which will benefit the Open Space Alliance for North Brooklyn, go on sale March 19th, with a special fan presale taking place March 16th. Check out the FMN official site for more info.

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